Photo by NurPhoto via Getty Images
On the day of our interview, Ani DiFranco was initially scheduled to participate in a photoshoot that was going to be "a nice opportunity [for] a big magazine," the singer-songwriter described. "A voluptuous spread of women artists, and a lot of good company." But she had to pull out."The photographer is somebody who has been accused of being a sexual predator, of basically being a sexist jerk, of pushing women to be more suggestive in photographs than they were comfortable," DiFranco said. Advertisem*nt
Read more: Queen of Folk Joan Baez on the Power of Political Art
When she first emerged in 1990, DiFranco had an immediate appeal to misfits that magazines found marketable. After debuting her eponymous solo album that year, she followed it up with six more in rapid succession, taking only a brief one-year breather in between 1996's Dilate and 1998's best-selling Little Plastic Castle. In that intermission, she posed for the cover of Spin, bearing neon-green dreads for the story whose male writer referred to her as "folk's great white hope" and described her fans as "pierced, tattooed, obsessed, sexually ambiguous, passionate, young, noisy, bossy, possessive, and demanding." He called many of them "dykes."DiFranco's folk-punk aesthetic (complete with staccato finger pickings and spoken word spun into song) was especially exciting to queer women, who rarely had the opportunity to sing along with inclusive lyrics like DiFranco's. Not only was she a poetic lyricist, but she had a handful of songs that were explicitly about other women, using female pronouns. Other songs were political, taking on social issues with lyrics that have been turned into inspirational pins. Advertisem*nt
Photo courtesy of GMDThree"In some ways, it makes it easier because [if] you're a public person—or at least, of the species that I am—you realize pretty early on that you can't satisfy all of the expectations of who and what you should be doing and saying in any given moment because they're different for every listener," DiFranco told Broadly. "You try to live up this person's expectation and you disappoint that person, so I try to stay just one step removed from all of that clamor and just try to be real; try to offer whatever it is I have, even if it's not what that or that or that individual is looking for in the world." Advertisem*nt
After canceling her shoot with the allegedly predatory photographer, DiFranco hosted the second annual Babefest over the weekend. The festival included live music as well as an "Activist University" component of panelists who discussed "using local activism to make a difference in your city." DiFranco played alongside spoken word star Andrea Gibson, comedian Rae Sanni, and indie pop duo Gracie and Rachel at Provincetown Town Hall for what she hoped was an opportunity for inspiration and conversation."I try not to feel pressure from the outside world to be or do anything at any given moment, you know," DiFranco said. "I try to stay true to myself as a person and as an artist and express what I'm feeling. But the pressure is there—the pressure to, you know, stand up there and represent and provide hope for blah blah blah—to address whatever the political moment is. I do feel it and yes, sometimes, I wish I could escape it. Whether I decide to sort of heed it or not, it's there. And some nights, absolutely, I just wanna go have a good time, or I just wanna be heartbroken, or I just wanna be tired or whatever the f*ck I am."
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